{"id":775,"date":"2019-02-24T21:20:00","date_gmt":"2019-02-24T11:20:00","guid":{"rendered":"http:\/\/www.womenrep.org\/?p=775"},"modified":"2023-04-05T21:20:43","modified_gmt":"2023-04-05T11:20:43","slug":"art-and-the-republic-at-apt-9","status":"publish","type":"post","link":"https:\/\/womenrep.org\/?p=775","title":{"rendered":"Art and the Republic at APT 9"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">WfaAR is visiting the 9th edition of the&nbsp;Asia Pacific Triennial at QAGOMA in Brisbane. Three works stood out.The first two were by&nbsp;Australian artist Vincent Namatjira, born Alice Springs, lives and works South Australia. He has sprung to prominence since his first&nbsp;public exhibition in 2011&nbsp;and is now held in many Australian and international collections. He will be exhibiting at Art Basel Hong Kong&nbsp;later this month.&nbsp;Many of his works feature Captain Cook and the British&nbsp;Royal Family especially the Queen. A clever sequence of mirrors at varying heights and dress-ups transformed the viewer.&nbsp;In one of them, we found ourselves with a&nbsp;familiar&nbsp;grey curly wig, a sparkling&nbsp;golden coronet, bright orange lipstick, long white gloves and a couple of yapping bejewelled corgis jumping at our feet&nbsp;&#8211; unmistakably our Head of State herself. But the face was ours. We could only burst out laughing,&nbsp;it looked so ridiculous as&nbsp;our everyday&nbsp;garb was dolled up with bling to&nbsp;make us a queen.&nbsp;Doesn&#8217;t take much.&nbsp;In a more serious work, slightly contorted portraits of seven recent Prime Ministers and our seven richest citizens, all smiling, were&nbsp;intersected with portraits of seven unknown&nbsp;Indigenous people. They looked both calmer and wiser but eminently at home in such a context &#8211; why not? Meanwhile Meiro Koizumi&#8217;s &#8220;Rite for a Dream. Today my empire sings&#8221; 2016&nbsp;is a video of a performance enacting the Hantenren anti-emperor rally, a controversial republic demonstration held annually in&nbsp;Tokyo on 15 August, the anniversary of the Japanese surrender&nbsp;at the end of the Pacific war in 1945.&nbsp;This showed the significant antagonism, both noisy and violent,&nbsp;of conservative forces in Japan towards the small number&nbsp;of&nbsp;protesters. More information on anti-monarchy protests in Japan is available here:&nbsp;<a href=\"http:\/\/womenrep.org\/%22%22%22%22%22https:\/\/throwoutyourbooks.wordpress.com\/2017\/06\/12\/emperor-akihito-abdication-anti-emperor-protest-movement-japan\/%22%22%22%22%22\">https:\/\/throwoutyourbooks.wordpress.com\/2017\/06\/12\/emperor-akihito-abdication-anti-emperor-protest-movement-japan\/<\/a>&nbsp;or find out more about&nbsp;Vincent Namatjira, including visuals of his work, on the link below.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/thisisnofantasy.com\/artist\/vincent-namatjira\">More info &gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>WfaAR is visiting the 9th edition of the&nbsp;Asia Pacific Triennial at QAGOMA in Brisbane. Three works stood out.The first two were by&nbsp;Australian artist Vincent Namatjira, born Alice Springs, lives and works South Australia. He has sprung to prominence since his&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-775","post","type-post","status-publish","format-standard","hentry","category-11","wpcat-11-id"],"_links":{"self":[{"href":"https:\/\/womenrep.org\/index.php?rest_route=\/wp\/v2\/posts\/775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/womenrep.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/womenrep.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/womenrep.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/womenrep.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=775"}],"version-history":[{"count":1,"href":"https:\/\/womenrep.org\/index.php?rest_route=\/wp\/v2\/posts\/775\/revisions"}],"predecessor-version":[{"id":776,"href":"https:\/\/womenrep.org\/index.php?rest_route=\/wp\/v2\/posts\/775\/revisions\/776"}],"wp:attachment":[{"href":"https:\/\/womenrep.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/womenrep.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/womenrep.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}